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The Godfather's R&B: James Brown's Productions 1962-1967 Various Artists (Producer Series)
The Godfather's R&B: James Brown's
Productions 1962-1967
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BEAT GOES PUBLIC
CD CATALOGUE NUMBER
CDBGPD 194
LABEL
BEAT GOES PUBLIC
DISC01
01I DON'T CARE
Dizzy Jones
02I'M LONELY
Bobby Byrd
03GOT NO EXCUSE
James Crawford
04DO YOU REALLY WANT TO RESCUE ME PART 1
Elsie Mae
05LOOKIE LOOKIE LOOKIE
The Jewells
06IF YOU DON'T WORK YOU CAN'T EAT
James Crawford
07NEW BREED (THE BOO-GA-LOO) PART 1
James Brownmp3 available
08THAT'S WHEN I CRY
Anna King
09WIDE AWAKE IN A DREAM
Vicki Andersonmp3 available
10UNEXPLAINABLE
Dizzy Jones
11DEVIL'S DEN PART 1
The Poets
12IT HURTS TO BE IN LOVE
Yvonne Fair & the James Brown Band
13THAT'S THE SPIRIT
Rev Willinghammp3 available
14HELP POOR ME
James Crawford
15FAITH
The Five Royales
16NOBODY CARES
Vicki Anderson
17I'LL KEEP PRESSING ON
Bobby Byrd
18I FOUND YOU
Yvonne Fair
19SOUL FOOD PARTS 1 & 2
Al Brisco Clark & his Orchestra
20IF YOU DON'T THINK
Anna King
21I FOUND OUT
Bobby Byrd
22I CRIED
Tammy Montgomery
 Various Artists (Producer Series)
courtesy Dean Rudland
 

There is no higher force in the world of funk than James Brown, the Godfather of Soul. He has been anthologised, compiled, sampled and, of course, danced to for over 40 years. Nevertheless, he recorded so much that there are corners of his immense catalogue that haven’t been investigated. It is our intense pleasure at BGP to be able to shine a light onto Brown’s mid-60s productions on “The Godfather’s R&B”.

These are every bit as good as his later, more famous, funk productions. Here are early recordings by Bobby Byrd and Vicki Anderson, sought-after dancefloor collector’s items by Elsie Mae and Dizzy Jones, the James Brown band before they became the JBs and Yvonne Fair belting out the original version of James’ ‘I Got You (I Feel Good)’ titled ‘I Found You’. We also have James’ tribute to influences and heroes from his early days with records by the Rev Willingham and the Five Royales, and James lets loose on his organ a couple of times.

These recordings are also historically important, as Brown used his productions to work out ideas that he would later incorporate in his own records. This was especially the case when he refused to record for King from late 1963 through to early 1965. Records such as Bobby Byrd’s ‘I’m Lonely’, Dizzy Jones’ ‘I Don’t Care’ and ‘That’s When I Cry’ by Anna King could, and probably would have been JB singles if he had been able to record in 1964. As such they point the way towards the funk revolution heralded in by JB with 1965’s ‘Papa’s Got A Brand New Bag’.

These recordings are some of the roots of funk, but more importantly they are also the roots of the James Brown Revue, the most exciting soul show of all time writ large and on record.

By Dean Rudland

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